I’ve made video lectures of chapters from my American Environmental History text — now I’m also making audio “podcasts” of the chapters so people can listen tot he chapters on the go. Here are the first three:
The Creative Commons license itself comes in several flavors, depending on how many of the rights normally included in “all rights reserved” you want to retain, and which ones you want to be more flexible on. Each of these licenses exist in three forms or layers: a full-on legal description, a user-friendly commons deed, and a machine readable version that talks to things like search engines. Most of the time CC is seen as a wide-open license to do anything, but it doesn’t have to be. Maybe rather than going from least restrictive to most, instead I’ll go from most restrictive (most like full-on copyright) to least. There are four basic elements: BY, SA, ND, NC, and they mix and match into six levels of licensing.
The most restrictive CC designation is CC SA NC ND. This specifies that people can use your work as long as they give you credit (attribution is part of all CC licenses), but it says they CANNOT sell the version they make for a profit and they CANNOT change your content in any way (that is, make no derivatives, no adaptations). This still means they can share your work freely, as long as they don’t sell it or change it. But this isn’t considered optimal for OER, because in addition to compiling anthologies, educators often expect to be able to adapt your content to contextualize it for their students. This license can also have a final added stipulation of share alike, meaning that any work that incorporated your content ought to be licensed under the exact same CC license. This isn’t on the CC organization’s matrix, but it prevents people from switching to a less restrictive license which might let the people who remix down the line to do something like sell the work for profit or adapt it.
NC SA is a little less restrictive, in that it does allow for adaptation. But it still prohibits sale for profit and requires the adaptations carry the same license.
NC, Non-commercial without Share Alike allows for adaptations and doesn’t protect against those adaptations being part of a commercial work.
No derivatives (ND) doesn’t allow for adaptation, but it does allow people to sell the work for a profit and it doesn’t require that the work they sell has a similar license on it.
Share alike alone DOES let someone sell an adaptation for a profit, but it has to retain a share alike license on it, so that might limit the market for such a work. I’m not sure I see the point of SA all by itself, other than to limit the market by undercutting anyone thinking they can somehow corner the market and monopolize distribution of a work.
The most open CC license is actually just CC BY. This allows a user to do anything with your content as long as they give you credit for creating it. All the other more restrictive licenses also include attribution – it’s just assumed in the rest. There’s an even more open condition if the work is in the public domain. Creative Commons calls that CC0, but it’s not technically a CC license.
All these CC licenses are ways of modifying copyright, so they apply where copyright law applies. That means NOT to things like patents, privacy restrictions, or moral claims. Exceptions and limitations to copyright like fair use also aren’t affected by CC licenses. But this can create complications if some work that begins as fair use finds its way into OER texts or coursework and now all of a sudden things like photos that may have been useable under fair use maybe aren’t any longer. So it’s important to understand the chain of custody, but I’ll say more about that another time.
Image from https://creativecommons.org/licenses/ CC BY-SA 4.0
As part of preparing content for this Spring’s “People In the Environment” section I’m teaching on American Environmental History, I’m “porting” my textbook over to a full-on OER (open educational resource). This should allow me to make the content available to students in a less expensive and more flexible version, in both print and ebook formats, as well as making the chapters available to other educators as stand-alone modules they can mix and match, remix, rewrite, etc. As I do that, I’ll be able to add CC content from elsewhere and link to outside text, graphics, and video, as well as including narration and possibly even links to my lectures in the electronic version of the text. I believe Pressbooks allows for linking and embedding, and Camtasia allows adding interactive elements like quizzes along the way in the text. I’m going to try to incorporate both.
So the new elements I’ll be adding to my text will include color (!), fonts, revised format, quizzes and discussion prompts (possibly links), audio narration, videos from the web (YouTube, Archive), and links to my Camtasia lectures. I’ll also be updating the content. I think I’ll continue with the 15 chapters = 15 weeks format. But I might throw in some additional chapters that people could swap in or use as extra credit opportunities if they chose. The goals of many of these chapters is not to cover the topics exhaustively, but to make students aware of the issues and introduce basic ideas. The outline will look something like this:
Module/Chapter 1: Prehistory
Goals: Push back the “beginning” of the story, introduce Beringia, climate change, staple crops
Module/Chapter 2: Recontact
Goals: Introduce the Columbian Exchange (Crosby), native population disaster, early commerce (silver, sugar).
Module/Chapter 3: Colonial America
Goals: Compare Euro and native land use traditions (Cronon), Examine role of religion justifying colonialism, impact of slavery on land use.
Module/Chapter 4: Frontier & Grid
Goals: Understand role of western expansion in Revolution and early republic, consider barriers to expansion (Proclamation Line, Free Soil debate, Trail of Tears), describe pioneer life, immigration.
Module/Chapter 5: Industrial Revolution
Goals: Examine changes caused by industrialization on use of commons, incorporation, labor, economic and environmental externalities. (Steinberg)
Module/Chapter 6: Transportation Revolution
Goal: Understand changing technology and public policy around development of canals, steamboats, railroads. Consider tension between public and private sectors in issues like land grants, monopoly. Continue to automobiles and highways (with extra material on ethanol vs. leaded gasoline), air travel and containerized freight.
Module/Chapter 7: Commodities
Goal: Examine shift to a commodity market: population changes, new industries in packing (pork & beef) and their discontents (The Jungle), ice, lumber (and fires), flour (and populism).
Module/Chapter 8: Green Revolution
Goal: Cover beginning of commercial agriculture, ag. Improvement (manure, rotation), green manure (alfalfa), guano (Incas, Liebig, Humboldt, Chinese labor, Chincha Islands War, Guano Islands Act), Nitrate (Caliche, War of the Pacific, Haber-Bosch process), Phosphorus and Potassium, Hazards and pollution (Gulf Dead Zone), the Dust Bowl, Ogallala Aquifer, Export of Green Revolution to Developing World (Borlaug, Indian debt and suicide).
Module/Chapter 9: City Life
Goal: Examine what cities are for. Consider American colonial cities built on native cities (Cuzco, Mexico City, Plymouth), Land Reclamation and filling wetlands (Mexico City, New York, San Francisco), Sanitation and water supply (New York, Boston, San Francisco, Los Angeles), symbiosis with hinterlands, Horses and mechanized transport, Urban reformers, parks and suburbs, contemporary exurbs and CSA.
Module/Chapter 10: Wilderness and Country Life
Goal: Distinguish between Conservation and Preservation movements (Muir v. Pinchot), examine ideas of wilderness (Cronon) and exclusion (Jacoby).
Module/Chapter 11: Farmers and Agribusiness
Goal: Examine America’s change from a country of farmers to an urban nation, implications for farmers, rural life, consumerism, politics.
Module/Chapter 12: Treasure Underground
Goal: Examine the mining and drilling of underground resources: Cerro Rico silver, ideas of subsoil ownership, copper, iron and steel, gold rushes, petroleum (in the world, the US, and the relationships between corporations, government, foreign policy).
Module/Chapter 13: Population and Limits
Goal: Examine Malthusian ideas, challenges to them such as #stopthemyth and Rosling’s demographics, consider controversies over Population Bomb, Limits to Growth, peak oil.
Module/Chapter 14: Externalities
Goal: Review the ways economics deals with the idea of externalities, with examples. Politics, Globalization, Dependency.
Module/Chapter 15: Environmentalism
Goal: Review American people’s concern over environmental issues. Consider alternatives to contemporary lifestyle. (incorporates “Food and Choice” chapter from book with survey of environmentalists.
As I’m beginning to prepare for my American Environmental History course next semester, I’ve started a Zotero Group containing a bibliography of some of the books that contain chapter readings and some journal articles I’m going to assign, or that are available for students working on term papers. So far, these are just books that are in BSU’s Library (I’ve given them a list of a few more I’d like them to get). This is a public list, so if other people start joining the Group and contributing titles, I’ll probably add tags that will indicate for my students which books are available locally and which they have to order via ILL, or in the case of articles where they can get hold of them. I normally attach pdfs to my own Zotero entries, but I can replace them with stable link URLs in the public lists.
I’m thinking about the additional readings I may assign in this class. Many of them are chapters in monographs, which I believe I can assign and students can go to the Library and read or scan the chapter. We have a really cool, fast scanner, so I may put the texts on course reserve. I’m curious about how other people doing OER deal with content from copyrighted (all rights reserved) sources. I’ll be talking with a Librarian later today about the Minnesota State University system’s fair use guidelines, but if anybody has experience they’re willing to share, I’d love to hear about it. My thought was there ought to be a way to replace the printed course-pack with some type of digital one, but I realize there may be objections to that because it’s easy to limit the printed course-pack to a finite set of students in a particular class during a particular semester…but even so, there’s got to be a way to update this idea for the 21st century. I guess making these types of pointers available in Zotero is a first step, for people who have access to an academic library. It’s not ideal for folks who don’t, however; but maybe that’s a battle for another day.
In addition to the Creative Commons course I’m taking this semester, I’m also involved in a project to turn my American Environmental History textbook into an OER (Open Educational Resource) prior to using it to teach a course called “People In the Environment: Environmental History” in the Spring semester. “People In the Environment” is a required course for all Bemidji State University undergrads, and it is usually taught in interdisciplinary teams. It has been ages (literally between 5 and 10 years!) since a historian has been on one of these teams, so I’m going to rectify that in the Spring. I’m going to trach a survey of American Environmental History this Spring, and then I’m putting in a request to teach a more in-depth version of it, with readings from some of the major works in the field, this summer.
As part of that process, I’m going to turn my American Environmental History textbook, which is already a very cheap alternative to the other textbooks available from academic presses, into a fully OER production. I may continue to sell copies of it on Amazon, since that seems like one of the lowest-cost ways to get a decently-printed paperback into peoples’ hands. Currently the book is $25 and the Kindle is either ten bucks or free (if you have Kindle Unlimited or if you buy the paperback you get a free Kindle copy). It will probably come down a bit from there. I’ll also probably be making audio and my course videos available online in a more permanent form. Maybe discussion prompts and quizzes and exam questions, as I put together the course material.
Hopefully turning this authoring project into an OER authoring project may give other Environmental History teachers an incentive to not only use the material but contribute to it and add their own content and perspectives. I don’t claim to have any type of unique insight into Environmental History — except maybe my feeling that it should be much more available to students and that opening this project up a bit might help make that happen!
And here’s the text, in case you want to follow along:
Copyright was first enacted in 1710 by the British Parliament in an act called the Statute of Anne, which begins:
Whereas Printers, Booksellers, and other Persons, have of late frequently taken the Liberty of Printing, Reprinting, and Publishing, or causing to be Printed, Reprinted, and Published Books, and other Writings, without the Consent of the Authors or Proprietors of such Books and Writings, to their very great Detriment, and too often to the Ruin of them and their Families: For Preventing therefore such Practices for the future, and for the Encouragement of Learned Men to Compose and Write useful Books; May it please Your Majesty, that it may be Enacted …
Queen Anne was the sister of Queen Mary, the daughter of James II who was deposed in the Glorious Revolution of 1688. Mary and her husband William of Orange took the throne, and after they were both dead in 1702 she took the throne. She ruled for twelve years, and then the throne passed to her second cousin George I, the 54-year old German ruler of the duchy of Hanover. Anne had 50 closer relatives, but they were all Catholics.
The Statute of Anne specified a copyright period of 14 years and allowed copyrights to be renewed for a similar term. The statute also for the first time vested the copyright in authors rather than publishers, which was an important change.
Any creative works or performances can be covered by copyright, as soon as they are performed or recorded. The ideas in a work are not protected; there are other forms such as trademarks for commercial expression and patents for inventions that cover ideas their creators wish to protect as intellectual property. In the US and under the Berne Convention, copyright begins as soon as a person creates the work and does not need to be applied for. However, registered copyrights can be easier to protect, since the registration established a paper trail or what might be called a chain of custody.
The Berne Convention for the Protection of Literary and Artistic Works is an international agreement established in 1886 and originally signed by 10 nations. Currently, 176 states are parties to the convention. Some of its minimum standards are that the term of copyright must be at least the author’s life plus 50 years, and that copyright must be automatic and formal registration is not required. The US did not sign on until 1989, partly because the convention nullified America’s requirements of copyright registration and mandatory copyright notice.
Under the Berne Convention, a person receives copyright as soon as she creates a work in a recorded form or a performance. This is unlike other forms of intellectual property like inventions, which must be protected by filing for a patent. At the end of the copyright period, the work enters the public domain and becomes available for free use, copying, and modification. Works that are made using the public domain material are then covered by copyright, but the copyright does not extend to the public domain elements incorporated in the work.
Copyright exceptions and limitations are designed to safeguard the public by allowing people to use excerpts of works for the purposes of scholarship, review, and commentary. Works that couldn’t be quoted couldn’t be reviewed or discussed in public fora. Similarly, educators are allowed to use works in classroom settings under “fair use” provisions, without permission or payment. Also, once a single copy of a work (say, a book) has been sold, it can be resold, donated, loaned, or otherwise passed on to anyone without additional permission or payment to the copyright holder. This is what allows libraries to loan out books. The advent of ebooks has muddied these waters somewhat, since technology has to be developed to prevent the loaned copies from being kept, which would be copying rather than lending and would violate copyright. Many of the digital rights management systems people have implemented to deal with these issues are controversial and have been criticized by advocates of information sharing.